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Our World

The Last Linen Beetler of Ireland

Portrait of Sophie Gallagher

Written by Sophie Gallagher

The last linen beetler of Ireland

The Financial Times came north to meet the people who actually make the cloth.

What they found

They found a beetling mill, a handful of weavers, and an industry that is smaller than it was but has not stopped. The distinction matters more than it sounds.

The man who knows how to set the engine

A rare kind of story

It was a rare thing: a fashion story that spent its time in the finishing room rather than the showroom. Nobody was styled. The photographs are mostly of hands and machinery.

There is one engine and one man who can set it. That is the whole story, and it took a national paper to say it out loud.

Finishing machinery in the mill

Why it mattered

Coverage does not keep a mill open; orders do. But it is easier to place orders for something people have heard of. The engine itself is described in Inside the Beetling Mill.

A fashion story that spent its time in the finishing room rather than the showroom.

A fashion story that spent its time in the finishing room rather than the showroom.

A fashion story that spent its time in the finishing room rather than the showroom.

Niall Hartigan

Portrait of Sophie Gallagher

Written by

Sophie Gallagher

Fashion Historian

Sophie writes on Irish textile heritage and the mills that still run. She reads a balance sheet as closely as she reads a swatch, and considers both documents of intent.

Frequently Asked Questions

What did the Financial Times cover?

The people who actually make the cloth — a beetling mill, a handful of weavers, and an industry smaller than it was.

Is the industry finished?

No. It is smaller than it was, but it has not stopped, and the machinery and the knowledge are both still here.

Why was the piece unusual?

Because it spent its time in the finishing room rather than the showroom.

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