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AW25 — Donegal Tweed

Portrait of Olivia Bennett

Written by Olivia Bennett

Donegal tweed coat photographed on a windswept headland

Donegal tweed is flecked because the wool was dyed with whatever the hedgerow gave up that year.

Colour from the hedge

Gorse, lichen, blackberry, heather. The fleck is not a design decision. It is a record of a place in a particular season, which is why two bolts from different years never quite agree.

Undyed wool, before the fleck

The largest step away from linen

Bringing it into the core collection was the largest step we have taken away from pure linen, and the least controversial one internally. It took about ten minutes to agree and a year to source.

Donegal tweed, flecked from hedgerow dye

The same argument

It is the same argument: local fibre, local hands, cloth that outlives the person who bought it. The tweed pieces sit in the Donegal Tweed collection.

Local fibre, local hands, cloth that outlives the person who bought it.

Local fibre, local hands, cloth that outlives the person who bought it.

Local fibre, local hands, cloth that outlives the person who bought it.

The Studio

Portrait of Olivia Bennett

Written by

Olivia Bennett

Collection Designer

Olivia works on the house's seasonal collections and writes the notes that accompany them. She cuts in linen almost exclusively and is responsible for most of the arguments about hems.

Frequently Asked Questions

Why is Donegal tweed flecked?

Because the wool was traditionally dyed with whatever the hedgerow gave up that year — gorse, lichen, blackberry.

Why move beyond linen?

It was the largest step away from pure linen we have taken, and the least controversial internally. The argument is unchanged.

Is the tweed woven in Donegal?

Yes. The fibre, the dyeing and the weaving all stay within the same tradition.

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